Find us on FacebookAt the end of his life, Robert Schumann was overcome by madness, a tragedy where only silence was heard. Nothing escaped from his unsound mind, not even one sheet of music. He composed only in between the phases of insanity, and those pages are at times strange or incomplete. But beyond this tragic end, Schumann can be defined as a fanciful character who believed he was a "musical poet" like E.T.A. Hoffmann or Jean Paul Richter. Today, the evocative power of his style is fascinating: we hear a whole gallery of portraits, real or imaginary, like a string of fantasies set to music.
DOUBLE RECITAL PIANO
SCHUMANN l Abegg Variations, op. 1
SCHUMANN l Kinderszenen, op. 15
SCHUMANN l Drei Fantasiestücke, op. 111
Finghin COLLINS, piano
Autour de Jean Paul Richter
SCHUMANN l Papillons, op. 2
SCHUMANN l Carnaval, op. 9
SCHUMANN l Davidsbündlertänze, op. 6
Philippe BIANCONI, piano
Folies carnavalesques
SCHUMANN l Sechs Intermezzi, op. 4
SCHUMANN l Faschingsschwank aus Wien, op. 26
Finghin COLLINS, piano
Autour de E.T.A. Hoffmann
SCHUMANN l Fantasiestûcke, op. 12
SCHUMANN l Kreisleriana, op. 16
SCHUMANN l Gesänge der Frühe, op. 133
Philippe BIANCONI, piano
Fin des concerts vers minuit
DOUBLE RECITAL PIANO
Philippe BIANCONI, Finghin COLLINS
SATURDAY 9 th OF APRIL | 20H00 | SALLE GARNIER
De la lumiére vers l'ombreSCHUMANN l Abegg Variations, op. 1
SCHUMANN l Kinderszenen, op. 15
SCHUMANN l Drei Fantasiestücke, op. 111
Finghin COLLINS, piano
Autour de Jean Paul Richter
SCHUMANN l Papillons, op. 2
SCHUMANN l Carnaval, op. 9
SCHUMANN l Davidsbündlertänze, op. 6
Folies carnavalesques
SCHUMANN l Sechs Intermezzi, op. 4
SCHUMANN l Faschingsschwank aus Wien, op. 26
Finghin COLLINS, piano
Autour de E.T.A. Hoffmann
SCHUMANN l Fantasiestûcke, op. 12
SCHUMANN l Kreisleriana, op. 16
SCHUMANN l Gesänge der Frühe, op. 133
Philippe BIANCONI, piano
Fin des concerts vers minuit
